Star Wars: The Force Awakens (Review)

star_wars_episode_vii__the_force_awakens_ver3After almost fourty years a new iteration of evil has arrived called the First Order, and a new generation made up of human, creature and droid steps up to join inter-galactic icons that helped mould the previous generation – both in terms of the Star Wars mythology and the Star Wars fanboys and fangirls the world over. (Funny that the autocorrect separates the words ‘fan’ and ‘girls’, but not ‘fanboys’…)

Critics were asked not to discuss any specific aspect of the plot so I will leave it there. Suffice to say that there is some old, some new, some replicated and some Jakku.


With the pressure of three all time classic films, almost four decades of reverence and over-analysis and yes, three mediocre prequels, director JJ Abrams faced a difficult task. Almost an impossible task. Give us the same different. We want new familiar. We want everything and nothing at the same time.

Because we Star Wars fans are ‘old’ now. As old or older than the primary cast was in 1977. No-one can get the past back no matter how much we might sometimes want to. JJ Abrams is a prisoner to our dichotomy; we demand he revisit our best years while simultaneously warning him that we fear and resent all change. As fans we wanted to see the worlds that mesmerised us in our youth. But the kid that wore an Empire Strikes Back shirt with a hard plastic sticker of Luke on a tauntaun for over a year of my pre-teens more selfishly wanted the memories of that period to be untainted.

The highest praise I can give is that while I don’t rewatch Star Wars as frequently as other movies, in the future I can see that the choice between Star Wars 1977 and Star Wars: The Force Awakens as not as clear cut as some would think.

Force-Awakens-Battle-of-JakkuYeah I said it. If you go in wanting to criticise I am sure you will have things to point at and scorn. If you go in wanting to be entertained there will be little standing in your way.

Now I am not saying for a second that this new films will have the cultural impact of George Lucas’ original, but if you stand back and think from a creative and entertainment standpoint, the two films aren’t too many parsecs apart…

The primary reason behind this is while Lucas sought to reinvent world’s and bring a new fleuro brightness to his 1990s prequels, Abrams painstakingly rebuilds the worlds from the original trilogy. (George Lucas had already built most of a galaxy that the world loved and decided to try again. This is akin to Willie Nelson issuing a press release telling us he is planning to dominate the world of hip-hop. i.e. A large mistake)


Back to the ‘now’ version of Long, Long, Ago; the cast is strong with this one. New kids Daisy Ridley as Rey and John Boyega as Finn stand out by fitting in – it is actually Oscar Isaac who seems to steal every scene in which he appears. There are also a bunch of other actors whose names you will see and recognise in the credits, but whose faces were changed beyond recognition under makeup and CGI.

star_wars_characters_-_h_-_2015The cast is perhaps the only ‘new’ here. Almost every sequence of The Force Awakens has sets, costumes, lighting and props that could all have been lifted from those original stages. And when John Williams’ music enter, swells and builds you are momentarily lifted away on a personal reminiscing session that may sweep you back to when and where you discovered Star Wars for the first time.

And for the littlies whose parents are yet to indoctrinate them, the experience for some might be similar to ours was back then. Hardly a bad thing. (I should point out that this new film is louder, a bit scarier and a bit more intense than any Star Wars film prior.)

Further familiarity arrives with great frequency. While the settings are not at all the same the film has three primary worlds on which significant action takes place. I could call them Tattoine, Endor and Hoth and I would be wrong only in the names. There is also a cantina callback with all new creatures and what looked like the original cantina band fourty years on. That’s some house session.

Episode_VII_Rolling_Droid_on_a_Desert-320x240Thankfully the action is more of the conflict variety  as opposed to the political posturing of the prequels, with a combo of land, space and saber battles. In fact perhaps the pivotal sequence involves a pitched air battle as seen from an in-progress land battle similar to the one in Jedi – although in this one both battles share the same screen. It is as close as this new film gets to a ‘wow’ moment, but this episode doesn’t need to reinvent the wow in order to work. It is dining off wows from the past. Remember New Coke? Me neither.

We’ll stick with the classics thanks. Lightsabers are a mandatory element, along with weapons that go ‘peyoong’, X wings, capes, vehicles (and other future merchandise) all interspersed with the warm familiarity of (and I’ll get these wrong) Star Destroyers, Imperial Walkers and of course the three F’; the (Millennium) Falcon, Ford and Fisher.


You might have guessed that there are many similarities with this new film and the one released 38 years ago. You might have also sensed that I am ok with that, which might place me in the minority, despite me bagging Jurassic World for essentially the same thing only a few months ago. Perhaps sensing this possibility, Abrams pulled off his masterstroke – “don’t just take my word for it. Here are some other famous people who agree with me”.

FFF…And in the Star Wars universe they don’t get much bigger than Harrison Ford and Carrie Fisher. Yes they are obviously in the film in roles that they became famous for, but performing actions I will not describe here. However for a film that didn’t want details leaked in advance, Abrams was pretty careful to plonk Ford and Fisher front and centre in the immense promotional campaign as pre-emptory deniers of franchise betrayal.

Perhaps also he worried that the ‘there can be only one trilogy’ fanboys would stay away and convince others to do the same. (It was incredibly sad that someone killed themselves when they found out a hero was black. My only gripe is how blatant the Nazi corollary is in one clumsy scene.) Fanatical outliers aside, he needn’t have worried. The quality of the film is evident, and the box-office seems to be going… OK.

Personally, my only wish before the critical endorsements started flowing in was for Abrams not to stomp all over my childhood memories. Not only did JJ Abrams avoid that, he momentarily took me back there. I can give no higher praise.

Final Rating – 8.5 / 10. I am not a JJ Abrams fan. I am a Star Wars fan. But I greatly appreciate the fact that Abrams made a film that not only fits into the Star Wars universe, but it builds a platform that others can expand upon.

Jurassic World, Terminator: Genisys and any number of superhero movies (most notably Avengers: Age of Ultron) cannot say the same.

About OGR

While I try to throw a joke or two into proceedings when I can all of the opinions presented in my reviews are genuine. I don't expect that all will agree with my thoughts at all times nor would it be any fun if you did, so don't be shy in telling me where you think I went wrong... and hopefully if you think I got it right for once. Don't be shy, half the fun is in the conversation after the movie.
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