Monthly Archives: June 2016

An Excruciating Evening with Adam Sandler: Billy Madison / The Waterboy / Big Daddy

Posted on June 11, 2016 by OGR

  Adam Sandler became famous thanks to Saturday Night Live, in which he often played an angry guy who spoke in strange voices. People found this funny. Hollywood wondered whether they would pay for it. He had a small role … Continue reading →

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Triple 9 (Review)

Posted on June 10, 2016 by OGR

Triple 9 is a ‘cops and robbers’ film with a twist, that being that most of the characters here are both cops AND robbers. There are mitigating factors which justify their nefarious activities of course – with that nasty Russian … Continue reading →

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Some Guy Who Kills People (Review)

Posted on June 9, 2016 by OGR

Awful title by the way. Some Guy Who Kills People is about a quiet young man who has been released from a mental health facility, and his efforts to reintegrate into society. No wait… It’s about rediscovering oneself with the … Continue reading →

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Mighty Joe Young (Review)

Posted on June 7, 2016 by OGR

Jill Young and Joe were already bonded before the incident which saw both of their mothers killed before their all too young eyes, but the joined experience saw them instantly lifelong friends. Over the years both Jill and Joe grew. … Continue reading →

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Three Men and a Baby (Review)

Posted on June 6, 2016 by OGR

In some ways society has moved on a long way in thirty years. Three Men and a Baby suggests that three well to do young professionals might be left high and dry with the arrival of an unexpected package containing … Continue reading →

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Zoolander 2 (Review)

Posted on June 3, 2016 by OGR

Zoolander was the silly character comedy that found immortality. The idiotic film that was actually quite smart. The semi-improvised that poked fun at the industry it embraced. The sequel is the opposite; silly but instantly forgettable. Idiotic but not nearly … Continue reading →

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Sleepwalk with me (Review)

Posted on June 2, 2016 by OGR

Mike Birbiglia is a solid stand up comic plying is trade in the crowded American market. His niche being a disarming honesty and self deprecating humour. Sleepwalk with Me tells the mildly fictionalised version of his discovering this niche, which … Continue reading →

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